Ancient Greek Rituals, Corporate Overlords, and Beekeeping with Jesse Plemons: Our Deep Dive into Bugonia—Episode 061, Season 7

By gophotographer 15 hours ago

Trust No One, Pass the Whiskey: A Frostbitten Toast to John Carpenter’s The Thing

By gophotographer 7 months ago

“Anora”: A Modern-Day Cinderella Story (With a Russian Oligarch and Way More Vodka)

By gophotographer 8 months ago

Sinners: Where Southern Gothic Meets Questionable Communion Wine (and Fangs!)

By gophotographer 9 months ago

🎧 Episode: Emilia Pérez — Crime, Identity, and Catchy Tunes… Wait, Is This a Musical?!

By gophotographer 9 months ago

Oppenheimer: A Deep Dive into the Minds and Mysteries Behind the Manhattan Project

By gophotographer 2 years ago

The Birdcage: Hilarious Rom-Com Riot with Robin Williams and Nathan Lane

By gophotographer 3 years ago

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Ancient Greek Rituals, Corporate Overlords, and Beekeeping with Jesse Plemons: Our Deep Dive into Bugonia—Episode 061, Season 7

By gophotographer 15 hours ago

Trust No One, Pass the Whiskey: A Frostbitten Toast to John Carpenter’s The Thing

By gophotographer 7 months ago

“Anora”: A Modern-Day Cinderella Story (With a Russian Oligarch and Way More Vodka)

By gophotographer 8 months ago

Sinners: Where Southern Gothic Meets Questionable Communion Wine (and Fangs!)

By gophotographer 9 months ago

🎧 Episode: Emilia Pérez — Crime, Identity, and Catchy Tunes… Wait, Is This a Musical?!

By gophotographer 9 months ago

Exploring Late Night with the Devil: A Horror Film Podcast

By gophotographer 1 year ago

Poor Things: A Victorian Fever Dream with Emma Stone and Willem Dafoe

By gophotographer 2 years ago

Spine-Chilling Adventure: The Descent Film Podcast Review

By gophotographer 2 years ago

Ancient Greek Rituals, Corporate Overlords, and Beekeeping with Jesse Plemons: Our Deep Dive into Bugonia—Episode 061, Season 7

By gophotographer 15 hours ago

Forget the ancient Greeks—it turns out the ultimate get-rich-quick scheme involves kidnapping a pharmaceutical CEO because you’re convinced she’s an intergalactic threat.

On this episode of the Adult Beverage Film Podcast, we’re cracking open a few drinks and descending into the beautiful, paranoid weirdness of Yorgos Lanthimos’s Oscar-nominated film, Bugonia. Join the usual suspects—Kent Smith, Laura Truman, Patrick G. Keenan, and Carlisle “Squeaker” Hamrick—as we debate whether humanity deserves a total reset and why Jesse Plemons is so mesmerizing to watch in those tight close-ups.

Why “Bugonia”?

Before getting too deep into the plot, we had to address the name. It turns out “Bugonia” refers to an ancient Greek belief (and later a ritual) that bees could be spontaneously generated from the decaying carcass of an ox. it is a fittingly strange title for a film where Jesse Plemons plays a conspiracy-obsessed beekeeper who abducts a high-powered executive (Emma Stone) believing she is an alien from Andromeda.

The Lanthimos Effect: Weirdness that Grows on You

Laura’s first reaction was a blunt, “What the f***?”. But like many Lanthimos films, Bugonia is a slow burn that rewards a rewatch. We dive into:

  • The Performances: Emma Stone manages to play a “corporate bitch” and a literal alien simultaneously , while Plemons delivers a masterclass in flat, monotone “internet speak” that feels chillingly believable.
  • The Nuance of Don: We give a huge shout-out to the actor playing Don, Teddy’s brother on the spectrum. He serves as the emotional anchor and viewpoint for the audience as he is manipulated into a nightmare.
  • Cinematographic Tension: From the use of VistaVision to fisheye lenses and “gritty” handheld movements , the film’s visual style keeps the energy high even when the characters are trapped in a single house.

The Ultimate Debate: Is She or Isn’t She?

We break down the pivotal moments that made us question reality. Was it the fact that she didn’t react to having her hair shaved off in the back of the car? Or the discovery of the “kill room” filled with the remains of former “aliens”? While Patrick was waiting for the reveal , Kent wasn’t fully convinced until the literal explosion at the end.

Bugonia vs. Save the Green Planet

Since Bugonia is a reimagining of the South Korean cult classic Save the Green Planet, we couldn’t resist a comparison. While the original leans into wacky comedy and deep backstory for its lead , Bugonia feels more like a tragedy with comic elements—a “podcast mentality” of confidence without evidence brought to life.

Our Takeaway? Humanity is a Disappointment (But the Movie Isn’t)

Whether you view the ending as a peaceful reset or a cynical “popping of the bubble” for the conspiracy theorists , Bugonia left us with plenty to talk about—and a strange craving for coconut cake.

Would you like me to find the specific timestamps for our discussion on the film’s ending or our favorite “what have you been watching” segments from this episode?

🎙 More episodes at: https://adultbeverage.net

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#AdultBeverageFilmPodcast #Bugonia #YorgosLanthimos #EmmaStone #JessePlemons #SciFiHorror #OscarNominee #FilmDiscussion

Trust No One, Pass the Whiskey: A Frostbitten Toast to John Carpenter’s The Thing

By gophotographer 7 months ago

In the vast, frozen emptiness of Antarctica, there’s no sound but the wind, no warmth but your breath, and no one you can truly trust — especially if you’ve just discovered an alien parasite that’s really good at playing dress-up. John Carpenter’s The Thing isn’t just a horror film. It’s a paranoia-fueled cocktail of isolation, mistrust, and monster mayhem… served ice-cold with a twist.

At the Adult Beverage Film Podcast, we don’t just watch movies — we pop the cork, pour something strong, and drink in every frame like it’s a rare vintage. And The Thing? This is a bottle you keep tucked away for special occasions… like when you’re snowed in with twelve suspicious co-workers and a few suspiciously moving body parts.

A Horror Vintage That Only Gets Better With Age

When The Thing hit theaters in 1982, audiences didn’t quite know what to do with it. Critics called it too gory, too bleak, and (in one famously bad take) “instant junk.” Then the years passed, the snow settled, and Carpenter’s chilly little monster flick was uncorked again by new audiences — who realized they weren’t just watching a creature feature, but a masterclass in tension.

This is a film that breathes suspicion. Every creak of the station, every sideways glance, every shared bottle of J&B Scotch is another seed of doubt. And unlike many horror films of the era, The Thing refused to give us safety in numbers — here, your best friend could be it. Your drinking buddy? Also it. The guy guarding the door? Definitely it.

The Perfect Pour: Practical Effects Over Digital Ice

The real magic — okay, horror — of The Thing lies in Rob Bottin’s jaw-dropping practical effects. No computer-generated shortcuts, just gallons of goo, twisted latex, and nightmare fuel sculpted by hand. Carpenter’s camera lingers just long enough for the transformations to sear into your brain, but never so long that the illusion melts away.

Watching these effects today, they’re still shocking… and oddly beautiful, in the way that only a dog’s head sprouting spider legs could be. We at Adult Beverage liken it to a perfectly aged whiskey: raw, fiery, and impossible to forget once it burns down your throat.

Bottled Paranoia: The Thing as the Ultimate Barroom Conversation

Imagine you’re at a dive bar in McMurdo Station. Outside, it’s -50°F. Inside, there’s a single bottle of good Scotch, a battered jukebox, and eleven other scientists you’re not entirely sure are human. This is The Thing.

The brilliance is that Carpenter turns every conversation, every drink shared between characters, into a gamble. Who pours from the bottle? Who hesitates? Who drinks without question? It’s the same dynamic you get in a good pub debate — except instead of arguing over who’d win in a fight (Godzilla or King Kong), you’re wondering if your drinking buddy is secretly an alien parasite waiting for you to turn your back.

The Ending: Cheers or Chills?

And then there’s that ending. MacReady and Childs, two men who’ve been through hell together, sitting in the freezing dark with nothing left but mutual suspicion… and a bottle. It’s the cinematic equivalent of clinking glasses with your rival because, hey, you might both be dead by morning anyway.

Is one of them infected? Are they both? Or are they just two stubborn humans refusing to give up without one last drink? That’s the genius of Carpenter’s final toast — it leaves you thinking long after the credits roll, and maybe pouring yourself something strong while you try to decide.

Why The Thing Belongs in the Adult Beverage Hall of Fame

Here’s the thing (pun intended): The Thing isn’t just horror. It’s barroom horror. It’s the kind of movie that thrives on shared experience — best enjoyed with friends, a good drink, and the occasional nervous glance to make sure no one’s face is splitting open mid-conversation.

It’s also the perfect example of how we at Adult Beverage Film Podcast approach cinema: with equal parts admiration, irreverence, and the understanding that sometimes the best way to appreciate a masterpiece is to argue about it over cocktails.

So next time you find yourself snowed in, low on trust, and with nothing but an old VHS player or streaming subscription for company, do yourself a favor:

  1. Put on The Thing.
  2. Pour a glass of something that could strip paint.
  3. Keep an eye on your drinking buddies.

Because in Antarctica, no one can hear you scream… but they can definitely hear you pop a cork.

🎙 More episodes at: https://adultbeverage.net
📲 Stay connected with us on Facebook, Twitter, and Instagram

#TheThing #JohnCarpenter #AdultBeverageFilmPodcast #CultHorror #SciFiHorror #MovieTalkWithADrink #ParanoiaOnIce #PracticalEffects

“Anora”: A Modern-Day Cinderella Story (With a Russian Oligarch and Way More Vodka)

By gophotographer 8 months ago

Pour yourself a stiff one, because the latest episode of the Adult Beverage Film Podcast is a wild ride through Sean Baker’s Palme d’Or-winning masterpiece, “Anora”! If you thought Cinderella’s story was a fairytale, just wait until you hear about Ani, a Brooklyn stripper who swaps a glass slipper for a private jet and a very expensive fur coat after a whirlwind, vodka-fueled romance with Vanya, the ridiculously rich son of a Russian oligarch.

The gang, including award-winning producer Kent Smith, actor Patrick G. Keenan, critic Laura Truman, and the delightfully grumpy “Audio Genius” Carlisle Hamrick, are joined by special guest Nicolas Brown. With his behind-the-camera experience on shows like The Righteous Gemstones and Outer Banks, Nicolas brings some real on-set magic to the discussion. And probably a few stories about what happens after “a few too many celebratory beverages on set.”

The hosts dive into this hilarious, chaotic, and ultimately heartbreaking tale, pondering some of life’s most pressing questions. How much alcohol does it take to truly fall in love with a guy who’s still playing video games during… well, everything? What’s the perfect adult beverage to pair with an unexpected, international annulment drama? And can you ever really outrun a Russian oligarch’s family in a high-stakes chase scene through Brooklyn?

“Anora” is a cinematic cocktail of screwball comedy and genuine emotional depth. It’s a “Pretty Woman” meets “run for your life from some very serious Russians” kind of film, and our hosts, with their collective experience and love of cinema, break down every magnificent, cringe-worthy, and poignant moment.

So, grab your favorite drink and join the party. This episode is a rollicking good time, with a splash of cinematic wisdom and a chaser of questionable life choices. And we promise, you’ll be laughing all the way to the credit roll—or at least until the international annulment papers arrive.

For more episodes and film reviews, visit adultbeverage.org.

Sinners: Where Southern Gothic Meets Questionable Communion Wine (and Fangs!)

By gophotographer 9 months ago

Alright, grab your favorite questionable vintage, because on today’s Adult Beverage Film Podcast, we’re diving headfirst into a cinematic experience that might just make you question your life choices: the aptly named, Sinners.

Now, when you first clap eyes on the poster for Sinners (and yes, we’ve got it right here for you, folks!), you might think, “Oh, a moody, atmospheric horror flick! Perhaps a deep dive into the human condition, or maybe just some good old-fashioned vampire shenanigans.” And bless your innocent hearts, you wouldn’t be entirely wrong. But you wouldn’t be entirely right either.

Let’s be real, the poster promises a lot: intense stares, a guitar-wielding bluesman, and a dude in the background who looks like he just remembered he left the oven on… and also, he’s a vampire with glowing red eyes and a serious dental plan. It screams “Southern Gothic meets ‘Blade’s estranged cousin who went to seminary’.”

So, what’s the real story of Sinners? Well, imagine if a church retreat decided to host a talent show, but then someone accidentally spiked the communion wine with existential dread and a dash of vampirism. It’s less about the actual sins, and more about the vibe of sinning, if that makes sense. It’s the kind of film where you’re constantly asking, “Wait, is he a vampire because he’s evil, or is he evil because he’s a vampire, or is he just really, really hangry?”

The film does a fantastic job of keeping you on your toes, mostly because you’re constantly trying to figure out if you missed a crucial plot point or if the characters are just as confused as you are. There are moments of genuine tension, and then there are moments where you just want to hand everyone a pamphlet on conflict resolution and maybe a garlic bagel.

Our recommendation for pairing? A strong, dark stout. Something that can stand up to the film’s brooding atmosphere, and also something that will help you forget you just spent 90 minutes wondering if the blues music was a metaphor for eternal damnation or just a really long jam session.

In conclusion, Sinners is a ride. A slightly bumpy, occasionally confusing, but ultimately memorable ride. It’s perfect for a podcast like ours because it gives you plenty to talk about, especially after a few sips of your chosen adult beverage. So, if you’re looking for a film that will make you ponder faith, fangs, and the perils of small-town secrets, grab your drink and give Sinners a watch. Just don’t say we didn’t warn you about the teeth.

🎧 Episode: Emilia Pérez — Crime, Identity, and Catchy Tunes… Wait, Is This a Musical?!

By gophotographer 9 months ago

In this no-holds-barred episode of the Adult Beverage Film Podcast, your favorite cocktail-fueled crew takes on Emilia Pérez, Jacques Audiard’s genre-bending, gender-exploding, narco-musical that’s equal parts Scarface, Les Misérables, and RuPaul’s Drag Race: The Redemption Arc.

Set in the gritty underworld of Mexican drug cartels, this film flips every expectation on its head—starting with a ruthless cartel boss who secretly wants to transition and become… Emilia Pérez. Yes, you read that right. But instead of gritty crime beats and tough-guy tropes, Audiard delivers the transformation with Broadway ballads, pastel colors, and some of the most moving sequences ever set to choreographed violence. Oh, and did we mention it’s a musical? With full-blown showstoppers and synchronized prison dancing?

Selena Gomez steps in as the conflicted wife, Karla Sofía Gascón absolutely slays in a history-making performance as the titular Emilia, and Zoë Saldaña shines as the burned-out lawyer who accidentally signs up for the wildest client of her career—and possibly her spiritual awakening. There’s crime. There’s glitter. There’s justice. And there are questions about identity, forgiveness, and what it really means to change.

🎙️ On the mics:

  • Laura gushes over the emotional core and calls dibs on the soundtrack for her next karaoke night.
  • Patrick wonders if we’ve entered a post-genre world where everything’s a musical… and he’s here for it.
  • Squeaker raises an eyebrow, mutters something deep about duality and reinvention, and then takes the film apart with the precision of a philosophy professor in a leather jacket.
  • Kent tries to keep the group sober enough to land a point… fails… but ends up championing this wild ride as one of the most original films of the year.

This ain’t your typical narco thriller. It’s a cinematic unicorn—part political fable, part identity opera, part cabaret confession—and it’s impossible to forget.

Pour yourself something strong. Tune in. And prepare to have your idea of genre (and justice) lovingly smashed into glittery pieces.
This is Emilia Pérez, and this episode might be our most outrageous deep dive yet.