Filmmaking

Trust No One, Pass the Whiskey: A Frostbitten Toast to John Carpenter’s The Thing

In the vast, frozen emptiness of Antarctica, there’s no sound but the wind, no warmth but your breath, and no one you can truly trust — especially if you’ve just discovered an alien parasite that’s really good at playing dress-up. John Carpenter’s The Thing isn’t just a horror film. It’s a paranoia-fueled cocktail of isolation, mistrust, and monster mayhem… served ice-cold with a twist.

At the Adult Beverage Film Podcast, we don’t just watch movies — we pop the cork, pour something strong, and drink in every frame like it’s a rare vintage. And The Thing? This is a bottle you keep tucked away for special occasions… like when you’re snowed in with twelve suspicious co-workers and a few suspiciously moving body parts.


A Horror Vintage That Only Gets Better With Age

When The Thing hit theaters in 1982, audiences didn’t quite know what to do with it. Critics called it too gory, too bleak, and (in one famously bad take) “instant junk.” Then the years passed, the snow settled, and Carpenter’s chilly little monster flick was uncorked again by new audiences — who realized they weren’t just watching a creature feature, but a masterclass in tension.

This is a film that breathes suspicion. Every creak of the station, every sideways glance, every shared bottle of J&B Scotch is another seed of doubt. And unlike many horror films of the era, The Thing refused to give us safety in numbers — here, your best friend could be it. Your drinking buddy? Also it. The guy guarding the door? Definitely it.


The Perfect Pour: Practical Effects Over Digital Ice

The real magic — okay, horror — of The Thing lies in Rob Bottin’s jaw-dropping practical effects. No computer-generated shortcuts, just gallons of goo, twisted latex, and nightmare fuel sculpted by hand. Carpenter’s camera lingers just long enough for the transformations to sear into your brain, but never so long that the illusion melts away.

Watching these effects today, they’re still shocking… and oddly beautiful, in the way that only a dog’s head sprouting spider legs could be. We at Adult Beverage liken it to a perfectly aged whiskey: raw, fiery, and impossible to forget once it burns down your throat.


Bottled Paranoia: The Thing as the Ultimate Barroom Conversation

Imagine you’re at a dive bar in McMurdo Station. Outside, it’s -50°F. Inside, there’s a single bottle of good Scotch, a battered jukebox, and eleven other scientists you’re not entirely sure are human. This is The Thing.

The brilliance is that Carpenter turns every conversation, every drink shared between characters, into a gamble. Who pours from the bottle? Who hesitates? Who drinks without question? It’s the same dynamic you get in a good pub debate — except instead of arguing over who’d win in a fight (Godzilla or King Kong), you’re wondering if your drinking buddy is secretly an alien parasite waiting for you to turn your back.


The Ending: Cheers or Chills?

And then there’s that ending. MacReady and Childs, two men who’ve been through hell together, sitting in the freezing dark with nothing left but mutual suspicion… and a bottle. It’s the cinematic equivalent of clinking glasses with your rival because, hey, you might both be dead by morning anyway.

Is one of them infected? Are they both? Or are they just two stubborn humans refusing to give up without one last drink? That’s the genius of Carpenter’s final toast — it leaves you thinking long after the credits roll, and maybe pouring yourself something strong while you try to decide.


Why The Thing Belongs in the Adult Beverage Hall of Fame

Here’s the thing (pun intended): The Thing isn’t just horror. It’s barroom horror. It’s the kind of movie that thrives on shared experience — best enjoyed with friends, a good drink, and the occasional nervous glance to make sure no one’s face is splitting open mid-conversation.

It’s also the perfect example of how we at Adult Beverage Film Podcast approach cinema: with equal parts admiration, irreverence, and the understanding that sometimes the best way to appreciate a masterpiece is to argue about it over cocktails.


So next time you find yourself snowed in, low on trust, and with nothing but an old VHS player or streaming subscription for company, do yourself a favor:

  1. Put on The Thing.
  2. Pour a glass of something that could strip paint.
  3. Keep an eye on your drinking buddies.

Because in Antarctica, no one can hear you scream… but they can definitely hear you pop a cork.

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“Anora”: A Modern-Day Cinderella Story (With a Russian Oligarch and Way More Vodka)

Pour yourself a stiff one, because the latest episode of the Adult Beverage Film Podcast is a wild ride through Sean Baker’s Palme d’Or-winning masterpiece, “Anora”! If you thought Cinderella’s story was a fairytale, just wait until you hear about Ani, a Brooklyn stripper who swaps a glass slipper for a private jet and a very expensive fur coat after a whirlwind, vodka-fueled romance with Vanya, the ridiculously rich son of a Russian oligarch.

The gang, including award-winning producer Kent Smith, actor Patrick G. Keenan, critic Laura Truman, and the delightfully grumpy “Audio Genius” Carlisle Hamrick, are joined by special guest Nicolas Brown. With his behind-the-camera experience on shows like The Righteous Gemstones and Outer Banks, Nicolas brings some real on-set magic to the discussion. And probably a few stories about what happens after “a few too many celebratory beverages on set.”

The hosts dive into this hilarious, chaotic, and ultimately heartbreaking tale, pondering some of life’s most pressing questions. How much alcohol does it take to truly fall in love with a guy who’s still playing video games during… well, everything? What’s the perfect adult beverage to pair with an unexpected, international annulment drama? And can you ever really outrun a Russian oligarch’s family in a high-stakes chase scene through Brooklyn?

“Anora” is a cinematic cocktail of screwball comedy and genuine emotional depth. It’s a “Pretty Woman” meets “run for your life from some very serious Russians” kind of film, and our hosts, with their collective experience and love of cinema, break down every magnificent, cringe-worthy, and poignant moment.

So, grab your favorite drink and join the party. This episode is a rollicking good time, with a splash of cinematic wisdom and a chaser of questionable life choices. And we promise, you’ll be laughing all the way to the credit roll—or at least until the international annulment papers arrive.

For more episodes and film reviews, visit adultbeverage.org.

Sinners: Where Southern Gothic Meets Questionable Communion Wine (and Fangs!)

Alright, grab your favorite questionable vintage, because on today’s Adult Beverage Film Podcast, we’re diving headfirst into a cinematic experience that might just make you question your life choices: the aptly named, Sinners.

Now, when you first clap eyes on the poster for Sinners (and yes, we’ve got it right here for you, folks!), you might think, “Oh, a moody, atmospheric horror flick! Perhaps a deep dive into the human condition, or maybe just some good old-fashioned vampire shenanigans.” And bless your innocent hearts, you wouldn’t be entirely wrong. But you wouldn’t be entirely right either.

Let’s be real, the poster promises a lot: intense stares, a guitar-wielding bluesman, and a dude in the background who looks like he just remembered he left the oven on… and also, he’s a vampire with glowing red eyes and a serious dental plan. It screams “Southern Gothic meets ‘Blade’s estranged cousin who went to seminary’.”

So, what’s the real story of Sinners? Well, imagine if a church retreat decided to host a talent show, but then someone accidentally spiked the communion wine with existential dread and a dash of vampirism. It’s less about the actual sins, and more about the vibe of sinning, if that makes sense. It’s the kind of film where you’re constantly asking, “Wait, is he a vampire because he’s evil, or is he evil because he’s a vampire, or is he just really, really hangry?”

The film does a fantastic job of keeping you on your toes, mostly because you’re constantly trying to figure out if you missed a crucial plot point or if the characters are just as confused as you are. There are moments of genuine tension, and then there are moments where you just want to hand everyone a pamphlet on conflict resolution and maybe a garlic bagel.

Our recommendation for pairing? A strong, dark stout. Something that can stand up to the film’s brooding atmosphere, and also something that will help you forget you just spent 90 minutes wondering if the blues music was a metaphor for eternal damnation or just a really long jam session.

In conclusion, Sinners is a ride. A slightly bumpy, occasionally confusing, but ultimately memorable ride. It’s perfect for a podcast like ours because it gives you plenty to talk about, especially after a few sips of your chosen adult beverage. So, if you’re looking for a film that will make you ponder faith, fangs, and the perils of small-town secrets, grab your drink and give Sinners a watch. Just don’t say we didn’t warn you about the teeth.

Oppenheimer: A Deep Dive into the Minds and Mysteries Behind the Manhattan Project

In the pantheon of cinematic endeavors that have sought to capture the intricate tapestry of history, few have approached the complexity and gravitas of Christopher Nolan’s latest opus, Oppenheimer. This film, a masterful fusion of biographical narrative and philosophical exploration, invites us into the enigmatic world of J. Robert Oppenheimer, the brilliant yet conflicted physicist known as the father of the atomic bomb.

As hosts of the Adult Beverage Film Podcast, where our discussions often drift from the casual sip of a fine bourbon to the profound depths of cinematic analysis, we were particularly struck by the film’s ability to navigate the moral and ethical dilemmas faced by its titular character. Oppenheimer is not merely a historical retelling but a nuanced portrait of a man wrestling with the consequences of his own genius.

Nolan’s direction, known for its precision and meticulous attention to detail, shines through in every frame. The film is a visual and auditory symphony, employing both stark realism and hauntingly beautiful cinematography to evoke the era’s tensions and the profound weight of scientific discovery. The pacing, deliberate yet compelling, mirrors the building pressure within Oppenheimer himself, as he grapples with the implications of unleashing such unprecedented destructive power.

At the heart of this narrative is Cillian Murphy’s portrayal of Oppenheimer, a performance that is as introspective as it is powerful. Murphy captures the physicist’s intellectual brilliance and the quiet turmoil that lies beneath his composed exterior. It’s a portrayal that invites empathy, if not agreement, with a man who stands at the crossroads of science and morality.

The supporting cast, including a mesmerizing performance by Emily Blunt as Oppenheimer’s wife, Kitty, and a formidable turn by Kenneth Branagh as General Leslie Groves, adds depth to the film’s exploration of the personal and political intricacies surrounding the Manhattan Project. Their interactions offer a microcosmic view of the broader societal and ethical questions at play—a delicate dance between duty, ambition, and the inevitable reckoning with one’s conscience.

What sets Oppenheimer apart, however, is its willingness to delve into the less tangible aspects of this historical narrative. Nolan doesn’t shy away from the philosophical quandaries that still resonate today: the ethical responsibilities of scientists, the limits of human understanding, and the haunting realization that knowledge can be both a gift and a curse. The film’s dialogue, sharp and thought-provoking, often feels like an invitation to the audience to ponder these same questions.

In our podcast discussions, we’ve often remarked on the importance of films that challenge viewers to think beyond the screen. Oppenheimer is a quintessential example of such a film. It doesn’t offer easy answers or neatly tied-up conclusions. Instead, it presents a complex tapestry of historical fact and philosophical inquiry, leaving viewers to grapple with the ramifications of Oppenheimer’s legacy—a legacy that is as relevant today as it was in 1945.

As we raise our glasses in contemplation of this cinematic masterpiece, we are reminded of the power of film to not only entertain but to provoke thought and stir the soul. Oppenheimer is a film that lingers long after the credits roll, much like the questions it poses—questions about the nature of genius, the burden of creation, and the ever-pressing need for humanity to navigate the fine line between progress and destruction. In the end, it is a testament to the enduring relevance of history and the stories we tell about it, as seen through the lens of one of the most pivotal figures of the 20th century.

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“Guardians of the Galaxy 3: The Cosmic Comedy Extravaganza”

If you thought the universe couldn’t get any zanier, think again! “Guardians of the Galaxy 3” catapults us into a cosmic comedy extravaganza that had us laughing our way through the stars. Director James Gunn delivers a hilarious and action-packed joyride that proves even superheroes have a flair for comedy.

From the moment the film starts, it’s clear that the Guardians haven’t lost their knack for mischief. Star-Lord’s dance moves are as cringe-worthy as ever, and Rocket’s sarcastic jabs are sharper than his pointy ears. But it’s Drax who steals the show with his deadpan delivery and absurdly literal sense of humor. Seriously, who knew a conversation about metaphors could be this side-splitting?

The humor is not limited to our lovable ragtag group of misfits. The script is packed with witty one-liners, clever pop culture references, and self-aware jokes that had the theater in stitches. You’ll find yourself chuckling at the banter, guffawing at the unexpected gags, and trying to catch your breath amidst the onslaught of comedic brilliance.

But amidst the laughter, “Guardians of the Galaxy 3” doesn’t forget its heart. The film delves into the personal journeys of our beloved Guardians, exploring their fears, insecurities, and the complexities of their relationships. It’s this blend of humor and genuine emotion that makes the characters relatable and keeps us invested in their out-of-this-world adventures.

Of course, it wouldn’t be a Guardians movie without a killer soundtrack. Get ready to groove to an eclectic mixtape of nostalgic hits and infectious tunes that perfectly complement the film’s irreverent spirit. Just try not to belt out “Hooked on a Feeling” at the top of your lungs in the theater. We dare you.

Visually, “Guardians of the Galaxy 3” is a cosmic feast for the eyes. The dazzling special effects and vibrant colors create a mesmerizing backdrop for the action-packed sequences and intergalactic shenanigans. Prepare to be wowed by the stunning visuals that transport you to awe-inspiring realms filled with weird and wonderful creatures.

In summary, “Guardians of the Galaxy 3” is a cosmic comedy that hits all the right notes. It’s a hilarious joyride with a heartwarming core that reminds us why we fell in love with these misfit heroes in the first place. So, grab your popcorn, buckle up, and get ready to laugh, dance, and be thoroughly entertained. This interstellar adventure will leave you with a smile on your face and an ache in your abs from laughing so hard. Bravo, Guardians, bravo!

Show Notes

The Adult Beverage Film Podcast: Exploring the World of Cinema with Industry Experts

Timestamps

[00:01:10] Guardians of the Galaxy discussion. [00:05:14] 70s and 80s rock. [00:09:45] Emotional impact of the film. [00:13:45] Favorite characters in Guardians. [00:18:44] Favorite character in Guardians. [00:19:57] Rocket Raccoon’s character development. [00:23:14] Movie special effects. [00:27:50] Animal testing and experimentation. [00:31:46] The soul gem in Adam Warlock’s head. [00:35:54] Groot’s Regeneration Abilities. [00:38:42] Star-Lord’s missing mask. [00:43:45] A story of trust. [00:46:56] Evolution and changing humanity. [00:50:22] Cosmo saves the day. [00:56:28] Guardians of the Galaxy spinoff. [00:57:45] Star-Lord’s Second End Credit Scene. [01:00:57] MCU actors coming back. [01:07:30] Netflix Bas-Ten trilogy. [01:07:49] Serial killer witchcraft. [01:11:44] Action movies and Frankenstein.

Detailed Synopsis

In this episode, the hosts discuss a movie trilogy that they believe is exceptional and express their hope for a spin-off. Although they do not mention the name of the trilogy, they describe it as a solid film that has remained true to the vein of the previous two films. The hosts express their belief that the process and film are too good to end and that a spin-off would be a great addition. They then delve into the story and characters of the movie, asking each other about their favorite characters and their thoughts on the story development. One of the hosts notes that the first movie focused on friendship and finding friends in unlikely places, the second on family, and the third on loss, grief, and change. Overall, the hosts enjoyed the movie trilogy and are optimistic about its future.

At the end of the episode, the hosts thank their guests and encourage listeners to rate, review, and subscribe to the podcast. They also ask listeners to spread the word about the podcast and the movie they discussed in the episode, Guardians of the Galaxy, Volume 3. The hosts mention that the podcast is available on all major platforms and can also be accessed on adultbeverage.net. They express their gratitude to everyone who listened to the episode and end the show with a friendly goodbye.

During the episode, the hosts briefly discuss what they have been watching. Laura mentions that she has been watching the same things as usual, while other hosts mention a variety of shows and movies they have been enjoying, including a Tim Robbins show, Lost, and The Little Mermaid. They also briefly discuss a film featuring Karen Abercrombie and praise her acting skills. Although the discussion is brief and lacks detail, it provides a glimpse into the hosts’ viewing habits.

Quotes

  • 00:05:00 – “I enjoyed it very, very, very much. It was a very entertaining, was nonstop.”
  • 00:12:07 – “Trust me, I’ve had the drip. Nobody wants that.”
  • 00:21:12 – “The second one’s about family. And when this one was starting, I was like, what is this going to be about? And it’s kind of about loss and and dealing with grief and dealing with change.”
  • 00:24:35 – “They can go drink some Willet and go fuck themselves.”
  • 00:26:13 – “Here’s a public announcement. Fuck you.”
  • 00:29:45 – “But to have the dog had a big part at the end using his mind to connect the ships and then freeing all the animals.”
  • 00:34:57 – “Nobody knows what the fuck they’re doing.”
  • 00:37:15 – “It’s like I’m here with a bunch of dads.”
  • 00:39:56 – “Terrifying. It was like a bad LSD trip, just a terrifying acid trip of Earth.”
  • 00:43:58 – “How would you react to them?”
  • 00:46:38 – “But you train them to be shitty humans or well, actually, you know, the lady proved that some of them were good humans.”
  • 00:50:18 – “It was really touching. It was sweet. It was very, very, very sweet.”
  • 00:53:11 – “Princess Leia Poppins.”
  • 01:02:37 – “That shit is super fucked up.”
  • 01:04:43 – “It’s probably the worst act of show I’ve ever seen in my life.”
  • 01:13:52 – “Make sure to rate, review, subscribe, tell your friends about it and our podcast and the movie, you know, and get out and see some films.”